![]() |
customer@davidpublishing.com |
![]() |
3275638434 |
![]() |
![]() |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Abortion and Body Politics: A Feminist Reading of the Lil Episode in The Waste Land
LI Yan, LI Lihua
Full-Text PDF
XML 39 Views
DOI:10.17265/2159-5836/2026.05.003
Donghua University, Shanghai, China
As a milestone work of modernist poetry, T. S. Eliot’s The Waste Land presents alienated gender relations that serve as an important entry point for analyzing the spiritual crisis of modernity. This study employs Foucault’s theory of body politics and draws on the critical perspective of French feminist theorist Hélène Cixous to reread the abortion narrative of Lil in the second part “A Game of Chess”. By analyzing the patriarchal mechanisms imposed on female bodies, this paper examines how this female figure is positioned under patriarchal power’s gaze. The research indicates that Lil’s bodily trauma is not merely a product of power discipline but also a radical rejection of reproductive obligations. In women’s resistance to patriarchal oppression, their bodies become sites of both suffering and struggle. This analysis expands the dimensions of feminist criticism regarding The Waste Land while offering insights for contemporary gender politics. As the process of civilization continues to objectify female bodies, a critical reflection on biopolitics becomes an essential path out of the spiritual wasteland.
The Waste Land, body politics, feminism
Bartky, S. L. (1990). Femininity and domination: Studies in the phenomenology of oppression. London: Routledge.
Beauvoir, S. (2010). The second sex. (C. Borde & S. Malovany-Chevallier, Trans.). London: Vintage Books. (Original work published 1949)
Bîrsanu, R. Ş. (2014). T. S. Eliot’s The waste land as a place of intercultural exchanges: A translation perspective. Cambridge: Cambridge Scholars Publishing.
Brooks, C. (1939). Modern poetry and the tradition. Chapel Hill: University of North Carolina Press.
Butler, J. (1993). Bodies that matter. London: Routledge.
Cixous, H. (1976). The laugh of the Medusa. Signs, 1(4), 875-893.
Eliot, T. S. (1922). The waste land. New York: Boni & Liveright.
Farzana, S. (2015). The plight of women in T. S. Eliot’s The waste land. Journal of Literature, Languages and Linguistics, 16, 59-65.
Foucault, M. (1977). Discipline and punish: The birth of the prison. (A. Sheridan, Trans.). New York: Pantheon Books.
Foucault, M. (1978). The history of sexuality, Vol. 1. New York: Pantheon Books.
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings, 1972-1977. (C. Gordon, Ed. & Trans.). New York: Pantheon Books.
Foucault, M. (1982). The subject and power. Critical Inquiry, 8(4), 777-795.
Gordon, L. (1977). Eliot’s early years. Oxford: Oxford University Press.
Hasan, M. N., & Hussein, S. A. (2015). The hurdles in front of women in expressing their voice in Eliot’s The waste land. International Journal of Literature and Arts, 3, 171-177.
Huang, H. (2005). Power, body and self: Foucault and feminist literary criticism. Beijing: Peking University Press.
Li, C. X. (2021). An interpretation of female images in The waste land from a feminist perspective (Master’s thesis, Xidian University, 2021).
Nie, L. T. (2007). The frame structure of The waste land: Interpreting female discourse in T. S. Eliot’s works. Journal of Guangxi Normal University (Philosophy and Social Sciences Edition), 51(6), 28-32.
Qiu, X. L. (Trans.). (2012). The waste land: Collected poems of T. S. Eliot. Shanghai: Shanghai Translation Publishing House.
Sicker, P. (1984). The belladonna: Eliot’s female archetype in The waste land. Twentieth Century Literature, 30(4), 420-431.
Southam, B. C. (1968). A student’s guide to the selected poems of T. S. Eliot. London: Faber & Faber.
Wang, G. Q. (2009). Interpretation of The waste land from the perspective of feminist literary criticism. Journal of Xiangfan University, 30(12), 55-59.
Wang, W. (2013). Viewing Eliot’s view on women from The waste land. Modern Women (Late Monthly), 29(11), 26.
Warwood, J. (2013). Wasted women: Modern oppression in T. S. Eliot’s The waste land (Bachelor’s thesis, University of Montana, 2013).
Zhang, J. (2006). T. S. Eliot: Interpretation of poetry and drama. Beijing: Foreign Language Teaching and Research Press.




