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Article
Affiliation(s)

University of Massachusetts (UMASS), Lowell, USA

ABSTRACT

Set against the cultural and historical backdrop of 18th-century Venice, Giulia Elisabetta Lama’s (1681-1747) remarkable paintings reveal intriguing connections to mythology and science. Lama’s notable depiction of Saturn Devouring His Child, painted in oils in 1729 and now in a private collection, draws significant attention.

KEYWORDS

Giulia Lama, Saturn, mythology, 18th-century art, Venice, heartless subjects, fatherly love

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