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Article
Affiliation(s)

Wuhan University of Technology, Wuhan, China

ABSTRACT

“Ticket, please” is one of D.H. Lawrence’s early short stories. The background of the story is set during World War I, when the male protagonist Joseph stays at the station to work due to leg disease. His love and hate relationship with the female protagonist Annie and other female ticket sellers unfolds from then on. After experiencing Joseph’s abandonment, Annie joined forces with other female ticket sellers who had the same experience with her to seek revenge against Joseph. The image of “hat” runs through the entire text of “Tickets, please” and appears 12 times, forming a hidden thread in the story. This article will start from two aspects: the portrayal of the personalities of the main characters Annie and Joseph by the “hat” and impact of hats on characters’ emotional development, revealing the different views on sex and love between the genders in the context of industrial civilization.

KEYWORDS

hats, image, gender perspective

Cite this paper

Journal of Literature and Art Studies, May 2025, Vol. 15, No. 5, 412-414

References

Lawrence, D. H., & Black, E. (1975). Tickets, please. Cambridge: Cambridge University Press.

陈钦. (2013). 论《请买票》的狂欢化艺术. 文教资料, (31), 130-132.

陈琪. (2021). 劳伦斯小说《请买票》的性别与叙事限制. 四川文理学院学报, 31(01), 52-55.

吴梦蝶. (2024). 空间三一论视域下《请买票》中的女性困境. 长江小说鉴赏, (10), 49-52.

游潺. (2016).结构主义视角下的《请买票》. 贵阳学院学报(社会科学版), 11(05), 96-98. DOI:10.16856/j.cnki.52-1141/c.2016.05.022.

张秋辰. (2018). Analysis of symbols in “Tickets, Please”. 海外英语, (11), 223-225.

赵倾国, 王耀辉. (2012). 从《请买票》看劳伦斯的二元对立爱情观. 科教文汇(上旬刊), (31), 70-71.

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