 |
[email protected] |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Discussion of the Sublimity of The Book of Songs
LAI Meng-ying
Full-Text PDF
XML 1 Views
DOI:10.17265/2159-5836/2025.04.002
Jiangxi College of Applied Technology, Ganzhou, China
The Book of Songs is the first collection of poems in China, originally named Poetry, and is one of the Five Classics. Whether in terms of themes, thoughts and emotions, language skills, as well as in artistic images and expression methods, it has shown the great achievements of China’s earliest poetry works and has produced a profound influence on Chinese culture and literature. It not only has recorded the various aspects of the society of that time, but also opens the door to many literary studies. There is no need to argue about its status and significance. In the West, about twelve centuries after the creation of the first poem collected in The Book of Songs, there lived a literary theorist who has performed a great influence on western literature. He was Longinus, the author of On the Sublime. By comparing the aesthetic ideas of Longinus and the artistic characteristics of The Book of Songs, we are surprised to find that The Book of Songs is a paragon of the sublime described by Longinus.
The Book of Songs, sublimity, Longinus
Journal of Literature and Art Studies, April 2025, Vol. 15, No. 4, 274-280
de Jonge, C. C., & Nijk, A. A. (2019). Longinus, on the sublime 12.4-5: Demosthenes and cicero. Mnemosyne, 72(5).
Longinus, M. H. (2000). On sublimity. Proceedings of the Cambridge Philological Society, 45.
Zhang, Z. Z. (2000). Selected readings in classical western critical theory. Beijing: Foreign Language Teaching and Research Press.
鲍晨. (2014). 论《史记》一书的崇高美 (陕西师范大学).
郭晓春. (2012). 论屈原作品的崇高之美——兼论朗基努斯的崇高观. 河南科技学院学报, (07), 67-69.
雷丽娟. (2018). 章太炎《诗经》研究 (山西大学).
王晶. (2023). 《诗经·卫风·氓》的多元解读. 语文教学通讯·D刊(学术刊), (01), 76-78.
王思尧. (2022). 《关雎》主旨解读的“即”与“离”. 文化创新比较研究, 6(22), 97-100+115.
吴洋. (2020). 读安大简《诗经》札记. 国学学刊, (02), 5-16+142.
许渊冲. (2021a). 《许渊冲译诗经▪雅》. 北京: 中译出版社.
许渊冲. (2021b). 《许渊冲译诗经▪风》. 北京: 中译出版社.
许渊冲. (2021c). 《许渊冲译楚辞》. 北京: 中译出版社.
姚绪文. (2014). 浅谈《十月之交》中“我”的觉醒. 现代妇女(下旬), (01), 190.
俞珂巧. (2022). 《诗经》中的一抹旖旎风光——《蒹葭》赏析. 名作欣赏, (29), 84-86.
张静. (2018). 从接受美学看《诗经》解读——以《毛诗序》《诗集传》为例. 文山学院学报, 31(02), 84-86+90.