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Article
Affiliation(s)

Shanxi University, Taiyuan, China (030006)

ABSTRACT

As one of the important art forms during the Anti-Japanese War in China, woodcut is not only a tool for literary and artistic workers to express the spirit of Anti-Japanese War, but also a medium to inspire the people and arouse patriotic feelings. Through a systematic analysis of the historical background and artistic characteristics of woodcuts of the Anti-Japanese War and their impact on the national spiritual identity of young people, this paper aims to explore how woodcuts enlightens and inspires young people’s national consciousness through visual language and spiritual connotation, and enhances their sense of belonging to the country and the nation.

KEYWORDS

anti-Japanese woodcut, national spirit, teenagers, identify with, artistic influence

Cite this paper

Journal of Literature and Art Studies, October 2024, Vol. 14, No. 10, 916-920

References

Ai, S. (2019). Origin, display and influence of narrative frame of the 1935 National Woodcut Joint Exhibition. Journal of Sichuan University: Philosophy and Social Sciences Edition, (5), 10.

LI, Z. Y. (2024). On the change of Li Qun’s new woodcut creation style around 1942. Art Science and Technology, 37(12), 67-69.

Sun, J. C. (2023). Research on the development of “Nationalization” of woodcut prints in liberated areas of China (1936-1949) (Dessartation: Shandong Normal University).

Wang, X. L. (2023). National spirit marked by The Times: On the emerging woodcutting movement before the founding of the People’s Republic of China. Rong Baozhai, (1), 50-87.

Zhang, Y. X. (2018). The historical role of the emerging woodcuts advocated by Lu Xun in the war. Journal of North China University: Social Science Edition, 19(6), 4.

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