 |
[email protected] |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Politics of Sexual Violence in Ian McEwan’s The Innocent
HE Fei
Full-Text PDF
XML 69 Views
DOI:10.17265/2159-5836/2024.10.011
School of Foreign Studies, South China Normal University, Guangzhou, China
This paper examines the role of sexual violence in Ian McEwan’s novel The Innocent and its relationship to the author’s examination of the boundary between the political and the personal. Contextualizing the protagonist Leonard Marnham’s violence against the heat of the geopolitical struggles of the Cold War, this study traces his transformation from an innocent technician to a violent agent of political and sexual aggression, and reads his attempted rape of his German lover, Maria, as a nexus between personal relationships and geopolitical struggles. It highlights how Leonard’s violence is a reflection of and at the same time a product of the postwar political landscape. By drawing on the body politic of sexual violence, it analyzes the feminized representation of Leonard, arguing that Leonard is both a perpetrator as well as a victim of the postwar political struggles. Hence the conclusion that sexual violence is employed by the author as a trope to dramatize the invasion of the political onto the personal, and the novel is a political novel that illustrates how the entanglement of international politics and private life can lead to a profound distortion of personal relationships, where the dynamics of power, dominance, and submission that define the public sphere can seep into and corrupt even the most intimate aspect of human interaction.
Ian McEwan, The Innocent, sexual violence, body politic
Journal of Literature and Art Studies, October 2024, Vol. 14, No. 10, 892-897
Brownmiller, S. (1976). Against our will: Men, women, and rape. New York: Simon and Schuster, 1976.
Colebrook, C. (2009). The innocent as Anti-Oedipal critique of cultural pornography. In S. Groes (Ed.), Ian McEwan: Contemporary critical perspectives (pp. 43-56). London: Continuum.
Gibson-Graham, J. K. (2005). Queer(y)ing globalization. In H. J. Nast and S. Pile (Eds.), Places through the body (pp. 16-29). London: Routledge.
Head, D. (2007). Ian McEwan. Manchester: Manchester University Press.
McEwan, I. (2010). Conversations with Ian McEwan. R. Roberts (Ed.). Jackson: University Press of Mississippi.
McEwan, I. (2013). The innocent. Shanghai: Shanghai Translation Publishing House.
Roger, A, (1996) Ian McEwan’s Portrayal of Women. Forum for Modern Language Studies, Volume XXXII, Issue 1, January 1996 (pp. 11-36).
Ryle, M. (2010). Anogognosia, or the Political Unconscious. Winter, 52(1), 25-40.
Slay, J. (1996). Ian McEwan. New York: Twayne Publishers.
Taussig, H., et al. (2010). Violence, subjectivity, and identity. The thunder: Perfect mind (pp. 61-68). New York: Palgrave Macmillan.
Wells, L. (2010). Ian McEwan. Basingstoke: Palgrave.