Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

School of Translation Studies, Shandong University, Weihai, China

ABSTRACT

Macbeth is one of the four great tragedies penned by English playwright, William Shakespeare. Lady Macbeth, the primary tragic female character in the play, seems to be different from other typical female roles portrayed by Shakespeare, and is often characterized by the world as vicious and ambitious. Being in a patriarchal society, Lady Macbeth awakens to female self-awareness and lust for power. She silently rebels against the oppression and constraints imposed by the society, ultimately paying the price of her life. By analyzing the process of Lady Macbeth’s subversion of the identity of the Other from the perspective of feminist criticism, this article offers a new interpretation of Lady Macbeth’s image and delves into the underlying causes of her tragedy. It suggests that it is often difficult for women to break free from the oppressive shackles of a patriarchal society in their pursuit for equality, freedom and power. The path to women’s liberation is long and arduous, which still requires unwavering efforts and perseverance from all.

KEYWORDS

Lady Macbeth, tragedy, feminist criticism, the Other, Macbeth, Shakespeare

Cite this paper

Journal of Literature and Art Studies, October 2024, Vol. 14, No. 10, 885-891

References

Chen, X. (1995). Feminist Criticism and Shakespeare Studies. Foreign Literatures, 4, 27-32. https://doi.org/10/g6bwq6

Eagleton, T. (2005). Literary theory: An introduction (2nd ed.). Malden, Mass.: Blackwell.

Gerlach, J., Almasy, R., & Daniel, R. (1995). Revisiting Shakespeare and gender. Virginia: West Virginia University Press.

Klett, E. (2003). Unnatural: Women in William Shakespeare’s Macbeth. In J. Fisher & E. Silber (Eds.), Women in literature: reading through the lens of gender (pp. 219-221). New York: Bloomsbury Publishing.

Liu, N. (2006). Interpreting images in Shakespeare’s tragedies from a female perspective. Drama Literature, 4, 18-20.

Rackin, P. (2005). Shakespeare and women. Oxford: Oxford University Press.

Shakespeare, W. (1998). Macbeth. Beijing: Foreign Language Press.

Wang, Y. (2013). Shakespeare: A proto-feminist or a Misogynist—An exploration of Shakespeare’s attitude toward females. Journal of Lanzhou University (Social Sciences), 41(5), 136-141. https://doi.org/10.13885/j.issn.1000-2804.2013.05.003

Zhang, H. (2019). The border-crossing females: A cultural interpretation of the gender features of female characters in Shakespearean tragedies. Theatre Arts, 2, 84-96. https://doi.org/10.13737/j.cnki.ta.2019.02.007

Zhang, J. (1992). Contemporary feminist Literary criticism. Beijing: Peking University Press.

Zhang, L. (2008). Androgyny—Female characters in The Handan Dream and Macbeth. Journal of Suzhou University (Philosophy & Social Science), 3, 82-85.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 001-302-3943358 Email: [email protected]