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Affiliation(s)

University of Shanghai for Science & Technology, Shanghai, China

ABSTRACT

This paper explores the manifestation of literary impressionism and the use of color in D.H. Lawrence’s novel The White Peacock. By examining Lawrence’s use of detailed descriptions, color imagery, and impressionistic techniques, this study aims to uncover how these elements contribute to the novel’s artistic and emotional depth. The analysis reveals that Lawrence’s painterly vision and his emphasis on sensory experiences play a crucial role in shaping the narrative and enhancing the reader’s understanding of the characters and themes.

KEYWORDS

literary impressionism, color imagery, use of color

Cite this paper

WANG Nian-nian, A Tentative Study of Literary Impressionism in The White Peacockby D. H. Lawrence, US-China Foreign Language, September 2024, Vol. 22, No. 9, 519-522 doi:10.17265/1539-8080/2024.09.008

References

Hart, W. (1971). D. H. Lawrence and painting (Master thesis, McGill University).

Kronegger, M. (1999). Literary impressionism. New Haven, Conn: College and University Press.

Lawrence, D. H. (1911). The white peacock. Retrieved from https://thevirtuallibrary.org/index.php/en/?option=com_djclassifieds&
format=raw&view=download&task=download&fid=11976

Lawrence, D. H. (1999). The white peacock. (X. Z. Liu & C. L. Xu, Trans.). Harbin: Northern Literature and Art Publishing House.

Leavis, F. R. (1955). D. H. Lawrence: Novelist. New York: Penguin Books.

Qu, J. S., & Wang, F. Y. (2012). Lawrence’s color poetics—Taking The white peacock and Women in love as examples. Youth Literator, 57(1), 35.

Quirk, T., & Scharnhorst, G. (2006). Impressionism. American history through literature 1870-1920. Retrieved from https://www.encyclopedia.com/literature-and-arts/art-and-architecture/european-art-1600-present/impressionism

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