[email protected] | |
3275638434 | |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
LI Lei
Full-Text PDF XML 211 Views
DOI:10.17265/2159-5836/2024.09.001
Academy of Fine Arts, Shanxi University, Taiyuan, China
Mount Wutai, a place endowed with fine spirits of humanities and prolific remains of Arhats portrait art. The existing Mount Wutai Arhats portrait spans the Ming, Qing, and Republic of China periods, and through the artistic creation of successive generations of literati painters, exquisite Arhats portraits are painted on different artistic carriers. On the basis of inheriting the traditional Chinese paradigm painting expression, the portrait of Mount Wutai Arhats constantly draws on folk nutrients. It integrates foreign Buddhist culture for refinement and sublimation. The reconstructed portrait pays attention to the image expression of its objects and the shaping of spiritual temperament. The shape is ancient and vivid, and the scene is ethereal and mysterious, which rationally expresses the Buddhist philosophy of generosity, benevolence and kindness, and contains unique oriental aesthetics.
Buddhist art, Portrait of Arhats, aesthetic idea
Journal of Literature and Art Studies, September 2024, Vol. 14, No. 9, 749-758
Cui, Y. H., & Luo, S. P. (2019). An examination of the remains of painted sculptures and murals in the East Hall of Foguang Temple in Mount Wutai. Research on Mount Wutai, (2).
Cui, Z. S., & Wang, Z. C. (1995). Selected notes on Wutai Mountain inscriptions. Shanxi: Beiyue Literature and Art Publishing House.
Guo, X. D. (2019). Geography and human landscape. Beijing: China Folk Art Publishing House.
Hu, J. Z. (2001). Chinese classical literature and art series. Beijing: Peking University Press.
Kang, M. X. (2008). The Buddha said the rise of the scriptures. Chengdu: Bashu Publishing House.
Li, Y. F. (2017). Research on the murals of Wutai Mountain Temple. Beijing: People’s Fine Arts Publishing House.
Wang, B. (1987). Zhengshi metaphysics. Jinan: Qilu Press.
Wang, T. N. (2003). Sculpture murals of Mount Wutai. Beijing: People’s Daily Press.
Wei, B. (2008). Research on painting in Song and Yuan Dynasties. Gansu: Gansu People’s Publishing House.
Xuanzang. (1983). The Great Arhat Nantimitoro’s recollection of the sayings in Dazheng Collection. Taipei: Xinwenfeng Publishing Company.
Zhang, Y. Y. (1964). History of famous paintings. Noted by Yu Jianhua. Shanghai: Shanghai People’s Publishing House.