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Affiliation(s)

Wuhan University of Technology, Wuhan, China

ABSTRACT

F. Scott Fitzgerald’s The Great Gatsby successfully portrays the “Jazz Age”. In the early 20th century, the United States transitioned from a production-based society to a consumer-based society, leading to an era of unparalleled prosperity. However, in the context of consumer culture, individuals often transition from being masters of their possessions to becoming enslaved by them. As a result, their behaviours and values become increasingly associated with extravagance and consumption. This paper uses Baudrillard’s theory of consumer society and textual analysis to explore the impact of consumer culture on human beings through the symbolization of men and objectification of women in The Great Gatsby. The meanings embedded in the novel are revealed from a different perspective. 

KEYWORDS

consumer culture, symbols, objectification, The Great Gatsby

Cite this paper

Journal of Literature and Art Studies, February 2024, Vol. 14, No. 2, 124-127

References

Chen, H. M. (2015). Modernity and the transformation of Western literary studies:1880-1930. Contemporary Literature, 3, 38-42.

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Fitzgerald, F. (2013). The Great Gatsby. Beijing: China Aerospace Press.

Meng, Y. (2008). The material culture reader. Beijing: Peking University Press.

Ousby, I. (1981). 50 American novels. London: Heinemann Educational Books Ltd.

Yu, P. Y. (2008). Review of Baudrillard’s theory of consumer society. Fudan Journal (Social Science Edition), 1, 20-26.

Yuan, J. L. (2019). “Game of Thrones”—Who’s afraid of Virginia Woolf? Gender Politics and Cultural Negotiation in. Theater Arts, 2, 123-132.

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