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Article
Affiliation(s)

Guangxi University of Foreign Languages, Nanning, China

ABSTRACT

Spectacle is instrumental in the artistic expression of movies. It is also a seismic factor that influences people to watch films, as an aesthetic activity. When the concept of spectacle was first proposed, it referred, in most cases, to the visual impact of movie images. As the art of cinema matures, in addition to the audio-visual part, the effect of spectacle in the narrative plot is gaining mounting attention. This paper focuses on the presentation of spectacle aesthetics in three dimensions: audio-visual, storytelling, and narrative.

KEYWORDS

film, spectacle aesthetics, audio-visual, storytelling, narrative

Cite this paper

WU Liuming. (2023). On the Presentation of Spectacle Aesthetics in Films. US-China Education Review A, Sep.-Oct. 2023, Vol. 13, No. 5, 240-244.

References

Iwasaki, A. (1988). Modern cinematic arts. (J. B. Zhang, Trans.). Beijing: China Film Press.

Kellner, D. (2003). Media spectacle. (A. B. Shi, Trans.). Beijing: Tsinghua University Press.

Liu, J. H. (2012). A dazzling spectacle of pictures. Movie Review, 34(13), 1-2+5.

Liu, K. W., & Jian, J. C. (2014). Visual spectacle, spatial writing, and symbolic metaphor. New Films, 36(4), 107-110.

Yan, X. (2009). “Spectacle and narrative” in spectacle movies. Movie Review, 31(21), 32-33.

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