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Affiliation(s)

Wuhan University of Technology, Wuhan, China

ABSTRACT

The visual metaphors of cats for Germans, mice for Jews, pigs for Poles, dogs for Americans make the story compelling without any extraneous description. In this paper, I explore the animal images in Maus, the mice, the cats and the pigs. By stating the chosen of mice image, symbolic meaning of mice and the function of “masks” that mice put on to pretend to be others, we explore the universally acknowledged metaphor mice in Maus and interpret the miserable history of Nazi Holocaust.

KEYWORDS

animal image, metaphor, Maus

Cite this paper

Doherty, T. (1996). Art Spiegelman’s Maus: Graphic art and the Holocaust. American Literature, 68(1), 69-84. Ewert, J. C. (2000). Reading visual narrative: Art Spiegelman’s Maus. Narrative, 8(1), 87-103. Hathaway, R. V. (2011). Reading Art Spiegelman’s “Maus” as postmodern ethnography. Journal of Folklore Research, 48(3). 陈琳. (2017). 图像小说《鼠族》的表现语言研究 (西安美术学院). 段枫. (2016). 大屠杀记忆及其艺术想象:《鼠族》的绘画叙事策略. 外国文学研究, 38(4), 115-123.

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