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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
Author(s)
Paulos Aemero, Aboneh Ashagrie
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DOI:10.17265/2328-2177/2023.03.003
Affiliation(s)
Addis Ababa University, Addis Ababa, Ethiopia
ABSTRACT
In film festivals Purpose
of digitalized works especially screening works are at the basic of changes resulting
from the development of digital technology and information society. Film screening
mediums radically changed the way of traditional film making processes such as producing,
distributing, and archiving. Digitization is the second most relevant change in
cinema history. It replaces conventional 35 mm film and projectors with computer
workstations and high resolution electronic video projectors. It has introduced
the Computer Generated Imaginary (CGI). Digital media affects all stages of communication,
including acquisition, manipulating, storage, and distribution, but the computer
media revolution also affects all types of media text, still images, moving images,
sound, and spatial constructions (Manovich, 2002, p. 43). Ethiopian film producers
slowly started to digitalize DVD formats of production. Who does this Digitalization
of Hirut (2020) do? And what is the fat of AAIFF 2020? This paper seeks to address
these issues. Hirut was released on DVD in March 1964 and digitalized in 2021 in
the screening of the first Addis Ababa film festival. The pioneer film and theatre
directors, Addis Ababa city cinema hall administers, prominent film producers, and
young film scholars participate in the Digitalization of Hirut (2020). It is there
most recent contribution in digitalizing process in the history of the first Ethiopian
film in Addis film festival. The author of this article used primary and secondary
data. In addition to this, he directly participated in the digitalization process
and presented his ongoing Ph.D. desertion project which is directly related to film
digitalization. For film festivals in the AAIFF film festivals so he used participation
method to investigate the data. Finally, he found that digitalization of films and
government owned film festivals in Ethiopia give green light in the archiving and
development of film industry in Ethiopia.
KEYWORDS
Hirut, AAIFF, CGI, digitalization, cinema history
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