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Article
Affiliation(s)

College of Journalism and Communication, Inner Mongolia Normal University, Hohhot, China; St. Petersburg Institute Film and Television University, St. Petersburg, Russia

ABSTRACT

Chinese film Little Big Woman takes the father’s funeral as the main line to tell the story of family affection and real-life emotional entanglements. In the narrative with multiple clues, we go back to find the hidden reasons, and the gradually clear reflection of the past is related to the real situation of the characters. Causal cycle narrative is not only a narrative strategy, but also a narrative logic with deep Chinese traditional cultural and philosophical connotations.

KEYWORDS

Little Big Woman, causality, temporal and spatial processing, narrative thread

Cite this paper

Journal of Literature and Art Studies, February 2023, Vol. 13, No. 2, 122-128

References

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Metz, C. (2006). The imaginary signifier: Psychoanalysis and film (Z. M. Wang, Trans.). Beijing: China Radio and Television Press.

Parshall, P. F. (2017). Multiple narratives in films. Beijing: World Book Publishing Co., Ltd..

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Xu, L. W. (2021). The narrative theme of “mother’s story”—A comparative analysis of “Hello, Li Huanying” and Little Big Woman. Creation Review, (07), 69-72.

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