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Article
Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

Hailed as “the greatest living novelist in the British Isles”, McEwan’s novel Saturday, published in 2005, is set in the cosmopolitan city of London. The story takes place on February 15, 2003, when Europe is still covered by the haze of September 11. The London described by McEwan is full of fear of terrorist attacks. The city is in chaos and disorder, and emptiness and alienation are filled in the hearts of London citizens. This paper attempts to analyze the post-9/11 London cityscape in this novel, and to analyze the social status quo of London under McEwan’s description, so as to further interpret the social deformity and spiritual wastage in the novel.

KEYWORDS

 Ian McEwan, Saturday, post-9/11 writing

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References

Dan, H. S. (2017). The post-9/11 sublime in McEwan’s Saturday. Journal of Hunan University of Science and Technology (Social Science Edition), (1), 44-49.

He, H. H. (2020). On the disease of modernity in Saturday. Journal of Kaifeng Vocational College of Culture and Art, (1), 56-57.

Liu, C. F. (2016). The contemporary urban cultural logic in Saturday. Foreign Literature, (6), 141-149.

McEwan, I. (2005). Saturday. London: Jonathan Cape.

Qu, T., & Meng, J. (2013). Moral narratives in post-9/11 novels: A review of Ian McEwan’s Saturday. Foreign Language and Foreign Language Teaching, (5), 90-93.

Wang, T. H., & Li, Y.-Q. (2019). “Awakening”—An analysis of trauma narrative in McEwan’s Saturday. Journal of Changchun University, (3), 40-43.

Wei, X. M. (2012). City, mind, class: London in Mrs. Dalloway. Foreign Literature, (1), 96-102.

Zhu, X. Q. (2012). London in the post-9/11 era in the context of globalization: An interpretation of McEwan’s novel Saturday. Journal of Changchun University, (11), 1368-1370.

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