 |
customer@davidpublishing.com |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Far From the Shallow: Lady Gaga’s Hypermodern Revolution
Diego Santos Vieira de Jesus
Full-Text PDF
XML 906 Views
DOI:10.17265/2159-5313/2021.06.004
ESPM-Rio, Rio de Janeiro, Brazil
The aim is to examine Lady Gaga’s revolution regarding gender, sexuality, and politics with the focus on her songs, videos, and live performances. The main argument indicates that Gaga’s pursuit of an enduring cultural presence is a response to hypermodern pressures not as the girl-next-door. Her elaborate performances and sartorial experimentation are deployed to create visual impressions that generate greater spectacles. The making of the hypermodern memory is complemented by the attempt to link herself to categories of Otherness as a celebration of the monster or the misfit in various manifestations, which builds a sense of subcultural membership among fans.
Lady Gaga, hypermodernity, pop culture, sex, gender, sexuality, politics
Diego Santos Vieira de Jesus. (2021). Far From the Shallow: Lady Gaga’s Hypermodern Revolution. Philosophy Study, June 2021, Vol. 11, No. 6, 481-485.
Bennett, L. (2014). If we stick together we can do anything: Lady Gaga fandom, philanthropy and activism through social media. Celebrity Studies, 5(1-2), 138-152.
Butler, J. (2008). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
Click, M. A., Lee, H., & Holladay, H. W. (2013). Making monsters: Lady Gaga, fan identification, and social media. Popular Music and Society, 36(3), 360-379.
Click, M. A., Lee, H., & Holladay, H. W. (2017). You’re born to be brave: Lady Gaga’s use of social media to inspire fans’ political awareness. International Journal of Cultural Studies, 20(6), 603-619.
Corona, V. P. (2013). Memory, monsters, and Lady Gaga. The Journal of Popular Culture, 46(4), 725-744.
Deflem, M. (2017). Lady Gaga and the sociology of fame: The rise of a pop star in an age of celebrity. New York: Palgrave Macmillan.
Figueiredo, J. L., Jesus, D. S. V., Robaina, D. T., & Couri, C. L. (2019). The development potential index of creative economy for Brazilian federal state capitals. Creative Industries Journal, 12(2), 185-203.
Galuszka, P. (2015). New economy of fandom. Popular Music and Society, 38(1), 25-43.
Horn, K. (2010). Camping with the stars: Queer perfomativity, pop intertextuality, and camp in the pop art of Lady Gaga. Current Objectives of Postgraduate American Studies, 11. Retrieved on June 6, 2021, from https: //copas.uni-regensburg. de/article/view/131/155
Jesus, D. S. V. (2009a). Da redução da incerteza estratégica à perpetuação da exclusão: A relevância dos fatores ideacionais na análise de política externa. Contexto Internacional, 31(3), 503-534.
Jesus, D. S. V. (2009b). Os processos de partilha da soberania na União Europeia. Revista Brasileira de Política Internacional, 52(2), 115-132.
Jesus, D. S. V. (2010). Alternative analytical axes of Brazilian foreign policy. International Political Sociology, 4(4), 419-435.
Jesus, D. S. V. (2011a). Desde Angra hacia Teherán: La política nuclear brasileña bajo la administración Lula. América Latina Hoy, 58, 103-120.
Jesus, D. S. V. (2011b). Triunfo, desgraça e outros impostores: Um ensaio sobre hierarquia e exclusão no esporte e nas relações internacionais. Revista Brasileira de Educação Física e Esporte, 25(3), 417-430.
Jesus, D. S. V. (2011c). Bravos novos mundos: Uma leitura pós-colonialista sobre masculinidades ocidentais. Revista Estudos Feministas, 19(1), 125-140.
Jesus, D. S. V. (2012a). Noites tropicais: O Brasil e a nova era da não proliferação e do desarmamento nucleares (2003-2010). Revista de Sociologia e Política, 20(43), 43-57.
Jesus, D. S. V. (2012b). In the name of autonomy and development: Brazil and non-proliferation, disarmament and peaceful uses of nuclear energy. Meridiano 47―Journal of Global Studies, 13(129), 28-34.
Jesus, D. S. V. (2013a). De Nova York a Durban: o processo de institucionalização do BRICS. Oikos, 12(1), 32-62.
Jesus, D. S. V. (2013b). Lighting the fire: Brazil’s energy diplomacy, 2003-2010. Diplomacy & Statecraft, 24(3), 499-515.
Jesus, D. S. V. (2014a). Mundo macho: Homens, masculinidades e relações internacionais. Revista Brasileira de Estudos Políticos, 109, 309-364.
Jesus, D. S. V. (2014b). O mundo fora do armário: Teoria queer e relações internacionais. Ártemis, 17, 41-51.
Jesus, D. S. V. (2014c). Juntos Num Só Ritmo? Diplomacia e Esporte Internacional. Recorde: Revista de História do Esporte, 7(2), 1-37.
Jesus, D. S. V. (2017a). A arte do encontro: A paradiplomacia e a internacionalização das cidades criativas. Revista de Sociologia e Política, 25(61), 51-76.
Jesus, D. S. V. (2017b). Só para o moço do corpo dourado do sol de Ipanema: Distribuição espacial da economia noturna LGBT na cidade do Rio de Janeiro. Revista Brasileira de Estudos Urbanos e Regionais, 19(2), 288-309.
Jesus, D. S. V. (2017c). Saudade de mim: Patrimônio cultural e economia criativa no Rio de Janeiro. In J. L. Figueiredo and D. S. V. Jesus (Eds.), Cidades criativas: Aspectos setoriais e territoriais (pp. 157-178). Rio de Janeiro: E-papers.
Jesus, D. S. V. (2018a). À Margem da Margem: LGBTs e a Economia Noturna do Samba nas Zonas Norte e Oeste do Rio de Janeiro. BARU, 4(1), 77-92.
Jesus, D. S. V. (2018b). Futebol é coisa para mano, mana e mona? A LiGay Nacional de Futebol Society do Brasil. Revista Periódicus, 1(10), 343-372.
Jesus, D. S. V. (2020a). Necropolitics and necrocapitalism: The impact of COVID-19 on Brazilian creative economy. Modern Economy, 11(6), 1121-1140.
Jesus, D. S. V. (2020b). Como era bizarro o nosso cinema: A transgressão conservadora de Sady Baby. Cadernos Pagu, (60), e206010.
Jesus, D. S. V., & Kamlot, D. (2016). Economia criativa e políticas públicas. Curitiba: Prismas.
Jesus, D. S. V., & Kamlot, D. (2017). Stuck in the middle of nowhere: Cultural policy, development and creative industries in Brazil. Creative Industries Journal, 10(2), 139-154.
Jesus, D. S. V., & Dubeux, V. J. C. (2018). The crisis in private higher education in Brazil: Main causes and possible solutions. International Journal for Innovation Education and Research, 6(1), 35-46.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2019). The decline of creative education in the City of Rio de Janeiro: Main causes and consequences. Creative Education, 10, 1670-1684.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2020). Innovation in the “new normal” interactions, the urban space, and the low touch economy: The case of Rio de Janeiro in the context of the COVID-19 pandemic. International Journal of Social Science Studies, 8(5), 17-27.
Lipovetsky, G. (2005). Hypermodern times. (A. Brown, Trans.). Cambridge, UK: Polity Press.
Marshall, P. D. (1997). Celebrity and power: Fame in contemporary culture. Minneapolis: University of Minnesota Press.
Medhurst, A. (1997). Camp. In A. Medhurst and S. R. Munt (Eds.), Lesbian and gay studies: A critical introduction (pp. 274-293). London: Cassell.
Rossolatos, G. (2015). Lady Gaga as (dis)simulacrum of monstrosity. Celebrity Studies, 6(2), 231-246.
Sandvoss, C. (2005). Fans: The mirror of consumption. Malden, MA: Polity Press.
Thrall, A. T., Lollio-Fakhreddine, J., Berent, J., Donnelly, L., Herrin, W., Paquette, Z., … Wyatt, A. (2008). Star power: Celebrity advocacy and the evolution of the public sphere. International Journal of Press/Politics, 13, 362-385.
Wheeler, M. (2013). Celebrity politics: Image and identity in contemporary political communications. Malden, MA: Polity Press.
Varriale, S. (2012). Is that girl a monster? Some notes on authenticity and artistic value in Lady Gaga. Celebrity Studies, 3(2), 256-258.