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Article
Cinematic Fashionability and Images Politics
Author(s)
Chan Ka Lok Sobel
Full-Text PDF XML 686 Views
DOI:10.17265/2160-6579/2021.02.002
Affiliation(s)
Hong Kong Baptist University, Hong Kong SAR, China
ABSTRACT
The
marriage of cinema and fashion? When, where and how their interaction and
origin is begun? There should be no glamor and red carpet when The Lumière
brothers short films like Workers leaving the Lumière
factory, The
Gardener, Baby’s Breakfast on the
birth of cinema in 1895. However, we notice that artificially costumes are
tailor-made for A Trip to the Moon in
Georges Méliès
and D. W. Griffith’s Intolerance.
Suddenly, it adds the aesthetical and
modernist elements into the blood of cinema beside the raw-realism of how the
daily life of the common
people is represented on the silver screen. Some kinds of bourgeois ideology
and middle class value is enhanced. It is so
unbelievable that some ordinary actress like Mary Pickford transforming into a
movie star after beautifully dressing up. Not only the
audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective
of movie and fashion in terms of fashion and film costumes, movie stars icon,
fashion trends influenced by movies, and how fashion designers changes the look
of cinema as well, etc.
KEYWORDS
ideology, movie images, stardom, fashionability
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