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Article
Affiliation(s)

University of Illinois at Urbana-Champaign, Urbana and Champaign, Illinois, United States

ABSTRACT

This paper investigates the reproduction of Chinese painting in the digital age. In particular, how does a website as an interface influence viewers’ response to a Chinese handscroll? The paper begins with a critical description of a web interface of Freer Gallery of Art and Arthur M. Sackler Gallery, followed by an analysis of the original painting. Fishermen on an Autumn River, that the interface digitizes and displays. The last section points out the influence of digitization on the relationship between viewers and digital heritage.

KEYWORDS

Chinese painting, Fishermen on an Autumn River, web interface, digital age, digital heritage

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References
Burkus-Chasson, A. (2019). Chen Hongshou’s Laments. Journal of Chinese Literature and Culture, 6, (1).
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Thwaites, H. (2013). Digital Heritage: What Happens When We Digitize Everything? In E. Ch’ng, V. Gaffney, and H. Chapman (Eds.), Visual heritage in the digital age (pp. 327-348). London: Springer.

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