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Article
Author(s)
Christel Baltes-Löhr
Full-Text PDF XML 447 Views
DOI:10.17265/2328-2177/2021.03.001
Affiliation(s)
University of Luxembourg, Esch-sur-Alzette, Luxembourg
ABSTRACT
This article is about the
question of what the term “motherhood” signifies, and how the figure of the
Continuum helps recognize and explain pluralities of motherhood beyond the gender binary of “female-male”. After an initial explanation of the concept
of gender as a Continuum, the figure of the Continuum will be applied to forms
of motherhood and will discuss them in light of the four dimensions of the
Continuum—physicality, feeling,
sociality, and desire. The tensions between physical and social motherhood will
be traced in an examination of Bertold Brecht’s “The Caucasian Chalk Circle”
(1948) and its references to biblical, Chinese and German-language texts. Based
on the diverse forms of motherhood discussed in the article, concerning trans*
men among others, the necessity of a reformulation of the understanding of
motherhood as a new parenthood will be outlined, which overturns the limiting
connection between motherhood and heteronormatively defined femininity.
KEYWORDS
Motherhood, Parenthood, Gender, Gender plurality, Continuum
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