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The Translation Strategies of “Wrinkle” in Chinese Landscape Painting
HUI Juan, JIA Xiaoqing
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DOI:10.17265/1539-8072/2019.04.006
University of Shanghai for Science and Technology (USST), Shanghai, China
As one of China’s outstanding traditional cultures, Chinese landscape paintings are not only loved and admired by Chinese people, but also won favors abroad. In the face of China’s current international status, it is essential to carry forward its excellent things and increase cultural self-confidence. However, it is inseparable from translation, and through the translation of various languages, the world’s excellent culture can be promoted and passed down. Based on his many years of practical experience, the author tries to explore the English translation method of the Chinese painting landscape “皴 (cūn)” from the two translation strategies of domestication and foreignization in order to provide reference for the spread of traditional culture.
皴 (cūn), landscape painting, translation
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