![]() |
[email protected] |
![]() |
3275638434 |
![]() |
![]() |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
“Had He a Hand to Write This?”: Missing “Secretary” Hands
W. Ron Hess, Alan R. Tarica
Full-Text PDF
XML 1441 Views
DOI:10.17265/2159-5836/2016.10.008
When Elizabethan’s were trained to read and write, the handwriting they first learned was “Secretary” (or “Secretarial”) hand, reflecting the style used by monks and scribes well back into the Middle Ages. Only in the mid-1500s did an alternative hand called “Italic” (or “Italianate”) slowly begin to be adopted as a second hand, reflecting handwriting used on the continent, and Italic was rarer than Secretary until well after 1600. Today, extant Elizabethan handwriting samples normally show each person used both hand styles, and where only one hand is extant for a given person, it is usually a Secretary hand. Thus, it’s a surprise that two noblemen, the great William Cecil, Lord Burghley, and his son-in-law Edward DeVere, the 17th Earl of Oxford, are each assumed to have only Italic hand samples among their voluminous collections of handwriting. Did they not learn and never use Secretary hands, or is it that any Secretary hands in their documents are simply presumed to be written by clerks? This article begins with questioning whether the two men really were limited to Italic hands, finds a few plausible Secretary hand samples for one of them (possibly for both), reconstructs a hypothetical Italic alphabet for him, and nominates many candidate manuscripts (MSS, singular MS) for having been written or contributed to by him, some of which may be relevant to Shakespeare studies. Other subjects touched on are calligraphy, a clerk (or amanuensis), and griffe de notaire (literally a “notary’s scratch”, or identifying scribble).
Elizabethan handwriting-calligraphy; William Cecil, Lord Burghley; Edward DeVere, 17th Earl of Oxford; Shakespeare; calligraphy; clerk-scribe-amanuensis; griffe de notaire
Cox, J. (1985). Shakespeare in the public records. Thomas, D. (Ed.). Jounal of the British Records Office, 24-34, London, Her Majesty’s Stationery Office. Hess webpage article #3. Retrieved from
http://home.earthlink.net/~beornshall/index.html/id14.html
Dawson, G., & Skipton, L. K. (1966). Elizabethan handwriting, 1500-1650: A manual. New York, NY: Norton.
De Chambrun, C. L. (1938). Shakespeare rediscovered by means of public records, secret reports and private correspondence. NY: Scribner.
Detobel, R. (2004). Proofs of the illiteracy of Mr. Shakspere of Stratford-upon-Avon. Hess webpage article #4. Retrieved from http://home.earthlink.net/~beornshall/index.html/id15.html
Dickinson, W. D. (2001). The wonderful Shakespeare mystery. Nashville, TN: OMNI PublishXpress, 615/256-3344, ISBN 0-9717608-0-2.
Doughtie, E. (Ed.). (1985). Liber Lilliati: Elizabethan verse and song (Bodleian MS Rawlinson Poetry 148). Toronto: Assoc. University Presses.
Gidley, F. (October 2003). Shakespeare in composition: Evidence for Oxford’s authorship of “The Book of Sir Thomas More”. The Oxfordian, VI, 29-54. Retrieved from http://shakespeare-oxford.com/wp-content/oxfordian/Gidley_More.pdf
Gillespie, S. (2001/2004). Shakespeare’s books: A dictionary of Shakespeare’s sources. London, Continuum: ISBN # 0-8264-7775-5.
Hess, W. R. (2002/ 2003). The dark side of Shakespeare (Vols. I & II). Lincoln, NE: Writers Club Press. ISBNs 0-595-24777-6 and 0-595-29390-5. Vol. III is projected for Fall 2016.
Tarica. A. “Did Shakespeare read from the 17th Oxford’s Personal Library?,” Pt. 1 Sh. Oxford Soc. Newsl, 42:2, Sum 2006, 1+; Pt. 2 42:3, Fall, 25-28. Also see review “Annotated Chronicle?,” Shakespeare Matters 6:2, 6 &32 and “Letter to Editor” SOS Newsl, Sum 2007, 43:2.
“The Spear-shaker and the Dragon: Oxford, Beowulf, and Hamlet,” DeVere Soc. News., Sum 2008; [see Andrew Hannas as “Ignoto” on this topic in Sh. Oxford Soc. Newsl. Spr 1990, 26:2, 3-6, which Hess neither read until after his 2008 article, nor knew was by Hannas until after his death].
Knight, J. T. (2013). Bound to read: Compilations, collections, and the making of renaissance literature. Philadelphia: University of Pennsylvania Press. (Note that pp. 87-116 deals with the “Liber Lilliati” as described in 1985 by Doughtie)
Nelson, A. (2003). Monstrous adversary: The life of Edward de Vere, 17th Earl of Oxford. Liverpool: Liverpool University Press. Retrieved from http://0-85323-688-7 www.isbs.com
Ogburn Jr., C. (1984). The Mysterious William Sh.: The myth & the reality. NY: Dodd Mead. (2nd ed. 1992, EPM Publications, McLean, VA)
Preston, J. F., & Yeandle, L. (1992). English handwriting 1400-1600, An introductory manual. Binghamton, NY: Pegasus. (pp. xiii-xiv contains a useful Bibliography, much of it guides to Elizabethan Handwriting)
Schuessler, J. (August 12, 2013). Much ado about who: Is it really Shakespeare? Further proof of Shakespeare’s hand in “The Spanish Tragedy”. The New York Times. Retrieved from
http://www.nytimes.com/2013/08/13/arts/further-proof-of-shakespeares-hand-in-the-spanish-tragedy.html?_r=0 (Cites claims made by Dr. Douglas Bruster)
Stritmatter, R. (2001). The Marginalia of Edward De Vere’s Geneva Bible: Providential discovery, literary reasoning, & historical consequence. Northampton, MA: Oxenford Press.
Thorpe, D. (September 2013). How to send a letter… in medieval England. BBC History Magazine, 14(9), 28-31.
WIKIpedia. (n.d.). Shakespeare’s handwriting. Retrieved Feburary 1, 2016 from
https://en.wikipedia.org/wiki/Shakespeare’s_handwriting