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Affiliation(s)

School of Chinese Language and Culture, Zhejiang Yuexiu University, Shaoxing, China School of English, Zhejiang Yuexiu University, Shaoxing, China

ABSTRACT

Much more than simple viewing, gaze, which is a kind of concentrated thorough long-term viewing, makes the gazer and the gazed establish a complicated power relationship. Frequently, women are in a position of being gazed at by others instead of taking the initiative to have a counter gaze. Consequently, they are confronted with abnormal self identity construction and alienation under the gazes of others and the self gaze brought by others’ gazes. This is fully revealed in the experiences of three representative female characters in Fitzgerald’s The Great Gatsby. This paper elaborates on their experiences and the relative consequences under gazes—deviation of femininity and other aspects, in the hope of providing a refreshing perspective for the study on this novel, gaze and gender issues. 

KEYWORDS

Fitzgerald, The Great Gatsby, gaze, deviation of femininity, materialistic, aphasia

Cite this paper

Journal of Literature and Art Studies, June 2023, Vol. 13, No. 6, 405-409

References

Curnytt, K. (2008). The Cambridge introduction to F. Scott Fitzgerald. Shanghai: Shanghai Foreign Language Education Press.

Fitzgerald, F. S. (2013). The Great Gatsby. Beijing: China Astronautic Publishing House.

Fitzgerald, F. S. (2014, June 7). Echoes of the Jazz Age. Retrieved from
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O’Connor, W. V. (1964). Seven modern American novelists: An introduction. Minneapolis: The University of Minnesota Press.

Phillips, B. (2003). Today’s most popular study guides: The Great Gatsby. Tianjin: Tianjin Science and Technology Translation and Publishing Company.

Sartre, J. P. (1993). Being and nothingness (H. E. Barnes, Trans.). New York: Washington Square Press.

Tyson, L. (2006). Critical theory today: A user-friendly guide. New York: Routledge.

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