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Affiliation(s)

Dalian University of Technology, Dalian, China

ABSTRACT

Inclusiveness is a major feature of Paul Ricoeur’s thought. The various stages of his thought development penetrate each other and realize the grafting of hermeneutics and phenomenology, hermeneutics and poetics of will. Based on that meaning comes from symbolism, Ricoeur turns to the philosophical dimension of doubt and trust by means of poetic hermeneutics. Starting from breaking the absolute status of cogito since Descartes, Ricoeur proposes the relationship between symbolism and language from the level of reflection. This kind of creative interpretation not only gives symbolism poetic significance, but also realizes the grafting of hermeneutics and poetics, and finally realizes the ontological sense of reinterpreting the existence of self in the existence of the world through moral creativity.

KEYWORDS

Ricoeur, hermeneutics, symbolism, moral creativity

Cite this paper

TIAN Yuqi & QIN Mingli. (2020). Moral creativity in Paul Ricoeur’s poetic hermeneutics. Philosophy Study, 10(9), 577-583.

References

Forster, M. (2019). Hermeneutics and francophone approaches. In M. N. Forster (Ed.), The Cambridge companion of hermeneutics (pp. 260-285). Cambridge: Cambridge University Press.

Plato. (1997). Plato complete works. M. John, (Ed.). Indianapolis: Hackett Publishing Company.

Ricoeur, P. (1966). Freedom and nature: The voluntary and the involuntary. (E. V. Kohak, Trans.). Evanston, Illinois: Northwestern University Press.

Ricoeur, P. (1970). Freud and philosophy. New Haven, Connecticut: Yale University Press.

Ricoeur, P. (1986). The symbolism of evil. (K. Charles, Trans.). New York: Fordham University Press.

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