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Article
Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

Henrik Ibsen’s Hedda Gabler highlights the conflict between the aesthetic and the ethical. This thesis tries to use the theory of art and moral by John Ruskin, a famous British writer and art critic, to make a comparative study of Hedda’s “aesthetic” way of viewing beauty and Thea’s “theoretic” way of appreciating beauty, pointing out that only viewing beauty with morality, people can lead a healthy life. The “aesthetic” way of ignoring morality and seeking only sensual pleasure will eventually do harm to people.

KEYWORDS

Hedda Gabler, “theoretic”, “aesthetic”

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References

Ibsen, H. (1867). Letter to Bjørnstjerne Bjørnson. In F. Bull, H. Koht, and D. Arup Seip (Eds.), Hundreårsutgave (Vol. 16). Oslo: Gyldendal.

Ibsen, H. (2005). Hedda Gabler. (E. Gosse and W. Archer, Trans.). California: ICON Group International, Inc.

Kierkegaard, S. (1941). Concluding Unscientific Postscript VII. (D. F. Swenson and W. Lowrie, Trans.). Princeton, NJ: Princeton University Press.

Ladd, H. (2008). The Victorian morality of art: An analysis of Ruskin’s esthetic. Whitefish, MT: Kessinger Publishing.

Landow, G. P. (2015). Aesthetic and critical theory of John Ruskin. Princeton: Princeton University Press.

Ruskin, J. (1906). Modern painters (Vol. II). London: George Allen.

Ruskin, J. (2007). Lectures on art. Moscow: Dodo Press.

Tjønneland, E. (2016). Henrik Ibsen: The conflict between the aesthetic and the ethical. In J. Stewart (Ed.), Kierkegaard’s influence on literature, criticism, and art (Tome III, Vol. 12, pp. 145-191). London: Routledge/Taylor & Francis Group.

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