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Article
Author(s)
Anthony G. A. Shaw
Full-Text PDF XML 489 Views
DOI:10.17265/1548-6605/2019.04.003
Affiliation(s)
BA; LLB (Hons) University of Queensland, Brisbane, Queensland, Australia
ABSTRACT
Despite having a strong basis
in the cultural heritage of Japan,
Japanese folklore spirits, also known as yōkai,
have often been excluded from being protected as cultural heritage, and are
often privately trademarked and used in a multi-billion-dollar entertainment
industry. Through these trademarks, rights holders have inconsistent and
overlapping privatized entitlement to what is essentially shared cultural
heritage, which forms a chasm in Japanese copyright protections.
This has negative consequences for the public use and enjoyment of cultural
heritage. This essay takes a socio-legal approach and proposes that yōkai being catalogued and protected
under the protections granted by the Convention for the Safeguarding of
Intangible Cultural Heritage would be a positive step, but is ultimately not a
viable solution to this issue, and instead the lack of fair use protections in Japanese
copyright law should be expanded to include a defence for the use of cultural
heritage forms such as yōkai.
KEYWORDS
intellectual property law, cultural heritage law, Japanese law, Yōkai, communal culture
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