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Article
Affiliation(s)

Southwest Minzu University, Chengdu, China

ABSTRACT

“Gesar” Thangka is an important type of Tibetan Tangka. With the generation and spread of Gesar epic, “Gesar” Thangka is also undergoing complex historical changes in the social and historical process of Tibetan areas. Since the 1980s, in the context of the rescue of Gesar epic, the rise of market economy, and the protection of intangible cultural heritage, “Gesar” Thangkar has gained creative vitality and experienced modern changes, presenting the aesthetic characteristics of secularization, sanctification, and art.

KEYWORDS

“Gesar” Thangka, multiple context, modern alteration

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References
Feng, J. C. (2014). Chinese encyclopedia of intangible cultural heritage, epic volume. Beijing: China Literary Union Press. 
Jiangbian Jiacuo, & Zhou, A. M. (2003). The Tibetan hero epic “Gesar” Tangka. Beijing: China Fine Arts Press. 
Qingcuo. (2013). Tibetan art of “Gesar” Tangka. Qinghai: Qinghai People’s Publishing House. 
Xu, G. Q. (1993). The investigation of Gesar. Yunnan: Yunnan People’s Publishing House. 
Zhoufang. (2010) .The pure land of spirit painted by nima zeren.China national daily. 2010.3.06

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