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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
The Reception of Anton Bruckner’s Music in China
Author(s)
WANG Sha-li (王沙里), ZHONG Mei (钟玫)
Full-Text PDF
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DOI:10.17265/2159-5836/2019.07.014
Affiliation(s)
Nanjing University of the Art, Nanjing, China; Ball State University, Muncie, USA
ABSTRACT
In the early days after China opened to the outside world in the 1980s, numerous works by well-known European composers were frequently performed on Chinese stages and were well received by audiences. Anton Bruckner’s symphonic works, however, were not performed as frequently as some others during that era, due to length, complex musical structure, and difficulties. This paper discusses the reception of Anton Briclner’s Music in China.
KEYWORDS
Bruckner’s Music in China
Cite this paper
References
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Zhang, C. (2011). Research status of Bruckner’s symphonies. Music Life Journal, (1), 63-67.
Zhang, W. G. (2001). The B outside of three Bs—Bruckner and his symphonies. AV Technology, (6), 74-76.
Chu, T. (2005). From Bruckner to Reinecke, from Gueller to Graf—listen to two concerts of Shanghai Symphony Orchestra. Music Lover Journal, (5), 23-24.
Ge, Y. (1996). Metal and Rock can be moved by true faith—commemoration of one hundredth anniversary of Bruckne’s death. Viewing and Listening Technology, (10), 105-106.
Grebe, K. (1972). Anton Bruckner. (T. Z. Wang & H. Z. Shen, Trans., 2006). Beijing: People Music Publishing House.
Hou, H. L., & Lu, C. W. (1998). Bruckner festival. Music Lover Journal, (3), 71-73.
Jin, Y. Z. (1986). Bruckner and his Symphony No. 4. Music Lover Journal, (4), 27-28.
Johnson, S. (1996). Different editions of Bruckner’s Symphony No. 8. (D. Xin, Trans.). Viewing and Listening Technology, (10), 107-108.
Lu, C. W. (1998a). From hero to hero—to Beethoven’s Symphony No. 3 and Bruckner’s Symphony No. 7. Music Lover Journal, (6), 32-34.
Lu, C. W. (1998b). Sorrow and victory—Bruckner and Mahler’s world. Music Lover Journal, (1), 24-26.
Lu, C. W. (1999). Pursuit of mystic music on interpretation of Bruckner’s music. Music Lover Journal, (2), 12-13.
Lu, C. W., & Hou, H. L. (1997). Please listen to Anton Bruckner—thought from his Symphony No. 7 (hero). Music Lover Journal, (6), 12-14.
Li, Y. M. (2002). The infinite spirit of the universe—Bruckner and his Symphony No. 4. Journal of Xinhai Conservatory of Music, (4), 49-50.
Ma, L. (2007). Bruckner and symphony No. 4 (Diss., Journal of Hunan Normal University).
Mou, Q. (1994). The last movement of farewell to life—listen to Bruckenr’s Symphony No. 9. Enthusiasts, (5), 95-97.
Su, L. (June 11, 2009). Guangzhou News.
Su, L. M., & Liang, D. N. (2010). Refraction of religious consciousness—an analysis of the theme of the exposition of the first movement of Bruckner’s Symphony No. 7. Journal of the Institute of Fushan Science and Technology (Social Science Edition), 28(4), 94-96.
Shi, X. M. (2009). Master of symphony Anton Bruckner. National Music, (3), 76-77.
Wang, X. J. (2007-12-6). Xinxi Daily News (Xin Xi Ri Bao). Retrieved from www.babykey.com
Wagner, M. (1995). Anton Bruckner—Werk und Leben. (H. Zhou, Trans., 2009). Beijing: Beijing Central Conservatory of Music Publishing Press.
Wang, Q. (2007). From Bruckner’s Mass No. 3 in F minor to view the relationship between polyphonic music and sacred music (Diss., Journal of Shanghai Conservatory of Music).
Xu, J. Z. (2008). A remembrance song to Wagner, listen to Anton Bruckner’s second movement of Symphony No. 7. Music Lover Journal, (10), 50-53.
Zhou, Y. (2009). The belated masterpiece Bruckner’s Symphony No. 7. Music Lover Journal, (2), 66-67.
Zhang, C. (2011). Research status of Bruckner’s symphonies. Music Life Journal, (1), 63-67.
Zhang, W. G. (2001). The B outside of three Bs—Bruckner and his symphonies. AV Technology, (6), 74-76.