[email protected] | |
3275638434 | |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
A Study on the Traditional Chinese Traditional Architectural Form of Mythological Tradition
XIONG Cheng-xia, ZHANG Ai-jia
Full-Text PDF XML 580 Views
DOI:10.17265/2159-5836/2019.06.005
University of Shanghai for Science and Technology, Shanghai 200093
Objective Through the metaphorical archetypal spirit and mythological semantics of Chinese character structure, this paper explores the metaphorical mythological gene and the moral order of the Chinese character structure, geographical thinking and aesthetic orientation of the mythological prototypes derived from the Chinese characters. Method The cultural archetypes and the theories of big and small traditions are adopted to sort out the mythological beliefs in the former architectural forms of the big traditions and the ethical narrative system carried by the buildings in the small cultural traditional societies. In the architectural archetypes dominated by big and small cultural traditions, the thinking of “archetypes and ethics” is found to be a homologous gene, which confirms the universal significance of the spirit of Chinese Confucian ethics to the power of Chinese civilization flowing and inheriting and human morality. Conclusion The structure of Chinese characters has the function of “recording” and “interpreting”, and the mythological thinking of architectural form materials, understands the ultimate transformation of cultural archetypes in creation, and guides the value of the traditional architectural design of “bringing out goodness and symbiosis” in the contemporary era. To relieve the material pursuit of spiritual enjoyment at that moment, to promote cultural heritage and the role of social treatment, to build cultural identity and the spiritual transcendence of the existence value of space ethics and the overall social and cultural identity.
architectural mythology, Chinese character structure, original thinking, social ethics, the order of human relations
Butt•R (1999). Myth—Interpretation of Mass Culture. Shanghai:Shanghai People’s Publishing House,173.
Carl Gustav Jung, and Sun Mingli,etc (2011). Jung’s Collection of Literature: Symbol of Conversion: An Analysis of the Precursors of Schizophrenia. Beijing: International Culture Press,18.
Chen W. M.(2016) Pictures and Texts in Ancient Times and Mythological Prototypes——Historical Data and Ideological Defects of Chinese Mythological Studies. Journal of Chongqing Universities of Arts and Sciences(Social Sciences and Society).35(1):71
Guo G. H. (2014). Reading History and Searching God: Codes in Mythology and Chinese Characters. Guilin:Guangxi Normal University Press,244.
Gu J. G. (2015) Speech of national history, ancient times. Shanghai:Shanghai People’s Publishing House,5.
Han Wei(2011) Scientific and Technological Information of Ancient Residential Buildings in Chinese Characters. Academic Journal of Zhongzhou,(1):241.
Li Y. H. (2014). Cathay Artistic Conception. Tianjin:Tianjin University Press,47.
Li Z. H. (2015). Outline of Philosophy. Latest Revised Edition. Beijing:Zhonghua Book Company,273.
Peng Z. R. (2016) City and Country: Urban Heritage with Chinese Characteristics. Journal of Beifang University of Nationalities, (1):55-59.
Peng Z.R., and Zhou X. F. (2015) The Urban Heritage of Native China. Journal of Beifang University of Nationalities,(5):7.
Philosophers integration(1954). One: The Analects of Confucius and Mencius. Beijing:Zhonghua Book Company,263.
Wang R. X. and Jia X. B. (1998). Prehistoric culture in China. Beijing:The Commercial Press,124.
Wang Sa, Zhang Y. K. , Zhang Nan(2014) Viewing the Implication of Chinese Traditional Space Planning Concept from Orientation Words ——”Society—Orientation” Schema and Its Significance Analysis. The Architect,(1):75-83.
Wang W. Y. (2005). On the plurality of Chinese characters. Social Science Forum,(4):6.
Ye S. X. (2015) A Study of Jade’s Mythology and Symbol Coding. Nation Arts, (2):22.
Ye S. X. (2014). Looking at the Origin of the Chinese Nation from the Prototype of the Chinese Character “國”—— A Comment on “Chinese Cultural Exhibition in the Xia Dynasty: Jade Articles and Jade Culture”. Journal of Baise University, 27(3):3.
Zhao G. C. (2006). Not Only Chinese Wood Architecture. Beijing:SDX Joint Publishing Company,11.
Zhao T. Y. (2015). China as a political Theological concept. Jianghai Academic Journal,(5):23
Zhang Jun,Xu Li(2016) Implicit in Explicitness: Viewing the Design Thought of Character Creation from the Evolution of Chinese Character Modeling Language. Art of Design(Journal of Shandong University of Art and Design),(5):73.
Zhang W. J. (1994) Symbols•Chinese Characters and the Psychological Structure of the Han Nation. The Journal of Humanities , (1):107-113.