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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
The Cultural Interpretations of “Golden Sound and Jade Vibration”
Author(s)
Hu Jiansheng
Full-Text PDF
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DOI:10.17265/2159-5836/2019.06.003
Affiliation(s)
School of Humanities, Shanghai Jiao Tong University, Shanghai 200240, China
ABSTRACT
Limited by the writing habits of the small tradition, conventional scholars tend to interpret “golden sound and jade vibration” as a musical tempo representing virtues of saints. In fact, we can prove how “golden sound and jade vibration” are closely linked to the sacred material beliefs (e.g., “holy gold”, “holy jade”) and the prehistoric religious ritual activities, by using various oral cultures and physical images, deeply exploring the profound cultural roots of “golden sound” and “jade vibration” in the local knowledge tradition and tracing its genetic system back to the prehistoric Jade Age and Bronze Age. The concept of “golden sound and jade vibration” is the sacred aural symbol of the “sage” entering the imaginary and illusionary realm. It also highlights the genetic system of the sage having “great accomplishments” and the Chinese ritual music system.
KEYWORDS
golden sound, jade vibration, big tradition, sage, great accomplishments
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References
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Yang Bojun: The Interpretation of Mencius, Zhonghua Book Company, 1988.
[Canada] McLuhan et al: He Daokuan (translator), McLuhan Essentials, Nanjing University Press, 2000.
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Ye Shuxian: “Rong Chengshi” Knowledge Archaeology Paradigm of Five General Interpretations to Jian Drum Mythology about Xia and Yu, National Art, Vol. 1, 2009.
Fu Sheng, Zheng Xuan, Chen Shouyi: Shangshu Commentary, series of books
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Fang Jianjun: Discovery and Types of Ancient Chinese Ancient Musical Instruments, Journal of the Central Conservatory of Music, Vol. 1996.
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Xu Weijun: Commentary on Han Shi Story, Zhonghua Book Company, 1980.
[Britain] Fraser (author), Tong Yugang (translator): The Folklore in the Old Testament, Fudan University Press, 2010.
Lv Yahu: Study on Witchcraft in the Literature of the Qin and Han Dynasties in the Warring States Period, Ph.D. Thesis of Shaanxi Normal University, 2008.
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Lv Daji and He Yaohua (editor): “Integration of Primitive Religious Data among Chinese Ethnic Groups” (Yi People’s Shrine Volume), China Social Sciences Press, 1996,
Huang Jianmin and Luo Xiwu Ge (translators): Yi people’s Sacrifices in Puzinanzi. Yunnan Nationalities Publishing House, 1986.
Lv Daji and He Yaohua (editor), “Integration of Primitive Religious Data among Chinese Ethnic Groups (Duolong Minority Vol.), China Social Sciences Press, 2000.
Lv Daji and He Yaohua (editor): “Integration of Primitive Religious Data of Chinese Ethnic Groups” (Tujia Minority Vol.), China Social Sciences Press, 1998.
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Li Xueqin (editor): Shangshu Notes, Peking University Press, 1999.
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Ye Shuxian: New Studies of the Prototype of Chinese Saints Mythology--Also on Jade Religion as a National Education, Journal of Wuhan University, Vol. 3, 2010.
Gao Wei, Zhang Yihai: The Paralyzed Drums and Drums of the Caohe River - Su Bingqi’s Exposition on the Archaeological Discovery of the Taosi Site”; Xie Xigong (editor), “Research on the Archaeology of the Taoshi Site”, Science Press, 2007.
Ye Shuxian: The general understanding of “Rongchengshi” Xia Yu building the drums: Discussion of the five points on the “Four-Evidence Law” of the Knowledge Archaeology Paradigm, National Art. Vol.1, 2009.
Zang Kehe: Chinese Writing and Confucianism, Guangxi Education Press, 1996.
Ye Shuxian: Anthropology of Literature. China Social Sciences Press, 2010; Ye Shuxian: Study on the Prototype of Chinese Saint Mythology, Journal of Wuhan University, Vol. 3, 2010.
Li Xueqin (Editor): The Right Notes to The Book of Rites, Peking University Press, 1999; Wang Zhaozhen, Wang Wenjin et al (reviser): Dadai’s Commentary on the Book of Rites, Zhonghua Book Company, 1983.
Liu Xinfang: Golden Sound and Jade Vibration and Related Issues, Journal of Ancient Books Research, Vol., 2001.The Ancient Literature Research Office of The National Cultural Relics Bureau, The Brocade Book of Mawangdui Han Tomb, Cultural Relics Publishing House, 1980.
Yang Bojun: The Interpretation of Mencius, Zhonghua Book Company, 1988.
[Canada] McLuhan et al: He Daokuan (translator), McLuhan Essentials, Nanjing University Press, 2000.
The Ancient Literature Research Office of the National Cultural Relics Bureau: Edited the Ma Wangdui Han Tomb, Cultural Relics Publishing House, 1980.
Li Xueqin: The Nature and Age of Confucian Classics in Guodian Chu, Li Xueqin’s Anthology, Shanghai Dictionary Press, 2005.
Liu Xinfang: Golden Sound and Jade Vibration and Related Issues, Journal of Ancient Books Research, Vol. 1, 2001.
[USA] Mirsey Eliad: Mythology, dreams, and mysterious rituals, the encounter between contemporary beliefs and primitive realities, Translated by Philip Merritt, London 1960. .
Ye Shuxian: “Rong Chengshi” Knowledge Archaeology Paradigm of Five General Interpretations to Jian Drum Mythology about Xia and Yu, National Art, Vol. 1, 2009.
Fu Sheng, Zheng Xuan, Chen Shouyi: Shangshu Commentary, series of books
Lv Daji and He Yaohua (editor): Integration of Primitive Religious Data of Chinese Ethnic Groups (Yao Minority Volume), China Social Sciences Press, 1998.
Fang Jianjun: Discovery and Types of Ancient Chinese Ancient Musical Instruments, Journal of the Central Conservatory of Music, Vol. 1996.
Edited by Li Xueqin: Notes to Zhouli, Beijing University Press, 1999.
Xu Weijun: Commentary on Han Shi Story, Zhonghua Book Company, 1980.
[Britain] Fraser (author), Tong Yugang (translator): The Folklore in the Old Testament, Fudan University Press, 2010.
Lv Yahu: Study on Witchcraft in the Literature of the Qin and Han Dynasties in the Warring States Period, Ph.D. Thesis of Shaanxi Normal University, 2008.
Fu Yuguang, Meng Huiying: The Study of Manchu Shamanism, Peking University Press, 1991
Liu Guiteng: The Elunchun Shaman Music, Lvfu New Voice, 2007, No. 4,
Wu Bi’an: Mysterious Shaman World, Sanlian Bookstore Shanghai Branch, 1989.
Lv Daji and He Yaohua (editor): Integration of Primitive Religious Data among Chinese Ethnic Groups (Naxi Vol.), China Social Sciences Press, 2000.
Lv Daji and He Yaohua (editor): Integration of Primitive Religious Data among Chinese Ethnic Groups (Lisu Minority Vol.), China Social Sciences Press, 2000.
Lv Daji, He Yaohua (editor): Integration of Primitive Religious Data of Chinese Ethnic Groups (Tujia Minority Vol.), China Social Sciences Press, 1998.
Lv Daji and He Yaohua (editor): “Integration of Primitive Religious Data among Chinese Ethnic Groups” (Yi People’s Shrine Volume), China Social Sciences Press, 1996,
Huang Jianmin and Luo Xiwu Ge (translators): Yi people’s Sacrifices in Puzinanzi. Yunnan Nationalities Publishing House, 1986.
Lv Daji and He Yaohua (editor), “Integration of Primitive Religious Data among Chinese Ethnic Groups (Duolong Minority Vol.), China Social Sciences Press, 2000.
Lv Daji and He Yaohua (editor): “Integration of Primitive Religious Data of Chinese Ethnic Groups” (Tujia Minority Vol.), China Social Sciences Press, 1998.
Lv Daji and He Yaohua (editor) of the Integration of Primitive Religious Data of Chinese Ethnic Groups (Zhuang Minority Vo.), China Social Sciences Press, 1998.
[Japan] Jiajing Zhenzhuan, Lu Yue (translator): “The Book of Songs- Original Intention Research”, Jiangsu People’s Publishing House, 2010.
[German] Biederman (author), Liu Yuhong, et al (translators),”World Cultural Symbol Dictionary”, Lijiang Publishing House, 1999.
The Hubei Provincial Museum (compiler): “The Tomb of Marquis Yi of Zeng”, Cultural Relics Publishing House, 1989,
[UK] Fraser, Translated by Tong Yugang: The Folklore in the Old Testament, Fudan University Press, 2010.
Ye Shuxian’s series of papers on jade religion: Jade Eating Belief and the Construction of Western Mythology, Seeking Roots, Vol. 4, 2008; Ye Shuxian: The Narrative of Jade, Anthropological Interpretation of the History of Mythology in the Xia Dynasty, Journal of Chinese Social Sciences, 2009 B10 Edition, July 1; Ye Shuxian: The Roots of Mythology of Jade and Confucianism, National Art. Vol. 3, 2010; Ye Shuxian: A New Textual Research on the Prototype of Chinese Saints Mythology--On Jade Religion as a National Education, Journal of Wuhan University. (Humanities Science Edition), Vol. 3, 2010; Ye Shuxian: Mythology of Nuwa and Tianshi for Heaven. National Art, Vol. 1, 2011; Ye Shuxian: International Perspective and Civilization of the Jade Age: The only study on the questioning of the Chinese people loving jade, National Art, Vol. 2, 2011.
Li Bujia: The Notes to Yueshu Book. Wuhan University Press, 1992.
Li Xueqin (editor): Shangshu Notes, Peking University Press, 1999.
Zheng Xuan, Wang Yinglin, Kong Guanglin (editors): Zheng’s Notes to Shangshu, series integration.
Ye Shuxian: New Studies of the Prototype of Chinese Saints Mythology--Also on Jade Religion as a National Education, Journal of Wuhan University, Vol. 3, 2010.
Gao Wei, Zhang Yihai: The Paralyzed Drums and Drums of the Caohe River - Su Bingqi’s Exposition on the Archaeological Discovery of the Taosi Site”; Xie Xigong (editor), “Research on the Archaeology of the Taoshi Site”, Science Press, 2007.
Ye Shuxian: The general understanding of “Rongchengshi” Xia Yu building the drums: Discussion of the five points on the “Four-Evidence Law” of the Knowledge Archaeology Paradigm, National Art. Vol.1, 2009.
Zang Kehe: Chinese Writing and Confucianism, Guangxi Education Press, 1996.
Ye Shuxian: Anthropology of Literature. China Social Sciences Press, 2010; Ye Shuxian: Study on the Prototype of Chinese Saint Mythology, Journal of Wuhan University, Vol. 3, 2010.
Li Xueqin (Editor): The Right Notes to The Book of Rites, Peking University Press, 1999; Wang Zhaozhen, Wang Wenjin et al (reviser): Dadai’s Commentary on the Book of Rites, Zhonghua Book Company, 1983.
Liu Xinfang: Golden Sound and Jade Vibration and Related Issues, Journal of Ancient Books Research, Vol., 2001.The Ancient Literature Research Office of The National Cultural Relics Bureau, The Brocade Book of Mawangdui Han Tomb, Cultural Relics Publishing House, 1980.