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Article
Giuseppe Arcimboldo’s Grilli: Humor and Magic in Genre Portraits
Author(s)
Liana De Girolami Cheney
Full-Text PDF XML 302 Views
DOI:10.17265/2328-2177/2019.02.001
Affiliation(s)
Universidad de Coruña, Spain
ABSTRACT
This essay examines one
aspect of Giuseppe Arcimboldo’s portraiture: His genre depictions where he
expands the art of illusionism or magic visualization into grilli (intellectual whims) and teste
composte (composite heads). These images of reversible portraits of genre
scenes, caricatural conceits, and visual puns are seen in The Cook or The Chef reversed
as The Bowl of Meats of 1570 at the
Nationalmuseum, Stockholm; The Vegetable Gardener reversed as The Bowl of Vegetables of 1590 at the
Museo Civico “Ala Ponzone”, Cremona; and Il
Frutaio, The Fruit Vendor reversed as The
Basket of Fruits of 1591, at the French & Company Gallery in New York.
In his imagery, Arcimboldo focuses on the paradoxical meaning of objects, “what
if?” adding a sense of ambiguity and mystery to his art. Is Arcimboldo teasing
the viewer with a Mannerist flare, or is he composing or implying another type
of intellectual conceit? Ultimately, Arcimboldo invents a new type of genre:
the emblematic humorous portrait.
KEYWORDS
composite heads, grilli, humor, delight, innuendo, symbolism, mannerism, Milan, School of Prague, art theory, grotesque
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