Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

Zhejiang Yuexiu University of Foreign Languages, Shaoxing, China

ABSTRACT

This paper attempts to discuss a possible way of seeking a temporary dwelling place for the soul and keeping a sense of “whereness” in an ever changing world. The study first analyzes the conceptions of “whereness” and still point, proposing the water face as the satisfactory means to achieve it on the basis of analyzing Thoreau’s Walden, then in a comparative way this paper examines several texts concerning the experiences and representations of physical and spiritual contacts with running water like rivers or still water like lakes, among which the texts concerning the English lakes are given main attentions. The study finds that the preferable mode of experiencing and representing lake denotes the universality and should be adopted more.

KEYWORDS

still point, lake, running water, Thoreau, William Gilpin, Wordsworth

Cite this paper

References
Andrews, M. (1999). Landscape and western art. Oxford & New York: Oxford University Press. 
Bate, J. (2000). The song of the earth. London: Picador.
De Selincourt, E. (Ed.). ([1906] 1977). Wordsworth’s guide to the lakes. Oxford & New York: Oxford University Press.
Gilpin, W. ([1786] 2013). Observations, relative chiefly to picturesque beauty, made in the year 1772, on several parts of England; particularly the mountains, and lakes of Cumberland, and Westmoreland. Cambridge: Cambridge University Press. 
Gilpin, W. ([1804] 2014). Observations on the coasts of Hampshire, Sussex, and Kent, relative chiefly to picturesque beauty, relative to picturesque beauty, made in the summer of the year 1774. Cambridge: Cambridge University Press.
Hammett, N. (2012). Place, nature and spirit: A lake district experience. Lulu. com. 
Hess, S. (2012). Wordsworth and the ecology of authorship: The roots of environmentalism in nineteenth-century culture. Charlottesville & London: University of Virginia. 
Hodder, A. D. (2001). Thoreau’s ecstatic witness. New Haven & London: Yale University Press.
Leiter, D. (2007). Toward the still point: T. S. Eliot’s Four Quatets and Thoreau’s Walden. Saskatoon: University of Saskatchewan.
Lin, Y. T. (Ed.). (1942). The wisdom of India and China. New York: Random House.
Neset, A. (2009). Arcadian waters and wanton seas: The iconology of waterscapes in nineteenth-century transatlantic culture. New York: Peter Lang Publishing, Inc. 
O’Donohue, J. (2010). The four elements: Reflections on nature. London: Transworld Ireland.
Papa, J. A. (2000). Water-signs: Place and metaphor in Dillard and Thoreau. In R. J. Schneider (Ed.), Thoreau’s sense of place: Essays in American environmental writing (pp. 70-79). Iowa City: University of Iowa Press.
Peck, H. D. (1990). Thoreau’s morning work: Memory and perception in a week on the Concord and Merrimack Rivers, the Journal, and Walden. New Haven & London: Yale University Press.
Potocka, I. (2013). The lakescape in the eyes of a tourist. Quaestiones Geographicae, 32(3), 85-97. 
Smethurst, P. (2012). Travel writing and the natural world, 1768-1840. New York: Palgrave Macmillan.
Spector, S. J. (1977). Wordsworth’s mirror imagery and the picturesque tradition. English Literature History, 44(1), 85-107. 
Woof, P. (Ed.). (2002). Dorothy Wordsworth: The Grasmere and Alfoxden journals. Oxford & New York: Oxford University Press.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 1-323-984-7526; Email: [email protected]