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Article
Author(s)
Elinoar Bareket
Full-Text PDF XML 424 Views
DOI:10.17265/2159-5313/2018.09.002
Affiliation(s)
Independent Scholar
ABSTRACT
This
research aims to check the assumption that the cultural icons of Jewish
communities in Islamic countries, in the Mediterranean Basin during the early
Middle-Ages, were Jewish poets, or at least rhyming experts and poetry “technicians”.
Through vast study of Genizah documents, in the purpose of outlining the shape
of the leadership of Jewish communities in these Islamic countries, I realized
that all leaders whose portraits I have studied, out of hundreds of letters and
documents—were poem writers. Some of them were real poets, who created poems
and liturgics of rare poetic qualities, and some were mere “technicians” who
joined rhymes according to accepted rules of their time. By looking at those “technicians”
poems, it seems that the writing has cost them a considerable mental effort,
and yet they continued with the poem writing. The assumption is that in order
to become a role model or a cultural hero, as we call it today, the leaders had
to write poems and use them as a means for political and social advancement.
KEYWORDS
cultural icons, Jewish poets, Genizah
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