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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
The Otaku Culture and Its Cultural Ramifications
Author(s)
Cecilia B-Ikeguchi
Full-Text PDF XML 1178 Views
DOI:10.17265/2160-6579/2018.05.003
Affiliation(s)
Tsukuba Gakuin University, Tsukuba City, Japan
ABSTRACT
Just like there are fanatics in sports, music
and in all spheres of life, there are individuals obsessed with animation,
Japanese comics, video games and the fantasy world. These people, known as the
“otaku” or literally translated as “nerds” in English, are the subject of this
paper. The article describes the characteristics unique to the “otaku”
individuals as well as how they interact inside and outside of their “otaku”
world. In the beginning, there seemed nothing wrong with the “otaku” world; it
was just a social trend. But during the early 1990’s, when Japan faced its
first otaku serial killer, “Otaku” has become a subject of social concern in
Japan. College students and young adults are strongly hit by this
socio-psychological obsession with the imaginary world, causing real, not
imaginary, social problems (Pustz, 1999). This paper hopes to find answers to
the following questions. What is “otaku” in relation to manga and animation?
What are the characteristics of the “otaku” sub-culture? What is the
psychological behavior of “otaku” individuals? By tracing the spread of
internet cafes, manga and anime, and otaku conventions in Asia and Europe this
paper aims to trace the cultural ramifications of Japanese animation overseas.
KEYWORDS
animation sub-culture, cultural ramification, stigmatized group
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