[email protected] | |
3275638434 | |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
One Kind of Reality: Mapping out Chinese “Postmodernism”
ZHANG Min, LI Li
Full-Text PDF XML 350 Views
DOI:10.17265/1539-8072/2018.07.005
Northwest University, Xi’an, China
This paper outlines the literary context and developments in post-1980s China, and seeks to map out Chinese postmodernism. It discusses the problematic existence of “Chinese postmodernism” by taking into account the more general postmodernity of Chinese society. The result is a view of postmodernism that is flexible, critical, historically and culturally situated and ethically sensitive without being dogmatic or propagandistic. This in turn will offer a basis for further study of “postmodernisms” as they have developed both in the countries of the concept’s origin and elsewhere.
Chinese postmodernism, literary context, Chinese literature
Baudrillard, J. (1993). Symbolic exchange and death. London: Sage.
Baudrillard, J. (1999). The consumer society: Myths and structures. London: Sage.
Featherstone, M. (1995). Undoing culture: Globalization, postmodernism and identity. London: Sage.
Featherstone, M. (2002). Consumer culture and postmodernism. London: Sage.
Harvey, D. (1994). The condition of postmodernity. Oxford: Blackwell.
Hong, Z. G. (2004). Yu Hua pingzhuan (余华评传) (A critical biography of Yu Hua). Zhengzhou: Zhengzhou University Press.
He, W. X. (Ed.). (1984). Xifang xindaipai wenxue wenti lunzheng ji (Collected essays on western modernist literature and issues). Beijing: People’s Literature Press.
Hutcheon, L. (1996). A poetics of postmodernism: History, theory and fiction. London: Routledge.
Jameson, F. (1991). Postmodernism, or, the cultural logic of late capitalism. London: Verso.
Joseph, W. A. (Ed.). (2010). Politics in China: An introduction. Oxford: Oxford University Press.
Knight, D. S. (2002). Capitalist and enlightenment values in 1990s Chinese fiction: The case of Yu Hua’s Blood seller. Textual Practice, 16(3), 547-568.
Li, D. L. (2007). Capturing China in globalization: The dialectic of autonomy and dependency in Zhang Yimou’s cinema. Texas Studies in Literature and Language, 49(3), 293.
Li, Er. (15 March 2013). The future of the novel in China. The Guardian.
Lyotard, J.-F. (1993). Answering the question: What is postmodernism? In T. Docherty (Ed.), Postmodernism: A reader (pp. 35-46). London: Harvester Wheatsheaf.
Mandel, E. (1978). Late capitalism. London: Verso.
Nan, F. (2005). Hou geming de zhuanyi (后革命的转移) (The transfer of post-revolution). Beijing: Peking University Press.
Wang, N. (2004). Xianfeng xiaoshuo: zouxiang houxiandai zhuyi (Avant-garde fiction: Transformation into postmodernism). In Y. C. Wang (Ed.), Zhongguo houxiandai huayu (The postmodern discourse in China) (pp. 243-260). Guangzhou: Sun Yat-sen University Press.
Wang, J. R. (2005). Dui dangdai zhongguo wenlun youxiaoxing de zhiyi yu fenxi (Query and analysis to the validity of the literary criticism in the contemporary China). Tianjin shifan daxue xuebao (Journal of Tianjin Normal University), 2, 46-49.
Williams, R. (1977). Marxism and literature. Oxford: Oxford University Press.
Williams, R. (1989). Resources of hope: Culture, democracy, socialism. London: Verso.
Williams, R. (2001). Language and the avant-garde (1986). In J. Higgins (Ed.), The Raymond Williams Reader (p. 280). Oxford: Blackwell.
Yu, H. (2011). China in ten words (Trans. A. H. Barr). New York: Pantheon Books.