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Article
Story Theme in Literary Stylistics and Functional Stylistics
Author(s)
LI Han-bing
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DOI:10.17265/2159-5836/2018.07.013
Affiliation(s)
School of Foreign Studies, Beijing Information Science & Technology University, Beijing, China
ABSTRACT
Story Theme has been one of the major concepts in both literary criticism study and stylistic study. The essential characteristics of story theme might be summarized as being subjective and inter-subjective, social and generalized, pervasive throughout the whole text but covered, conventional and recoverable, and multi-faceted. This paper mainly discusses two stylistic approaches to story theme study. Literary stylistic approach focuses on the covert side and multi-levelness of story theme; while functional stylistics attaches much importance to the mechanisms that function to realize story theme.
KEYWORDS
story theme, literary stylistic approach, functional stylistic approach
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References
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Poynton, C. M. (1990). Address and the semiotics of social relations: A systemic-functional account of address forms and practices in Australian English (Ph.D. Thesis, Sydney: University of Sydney).
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Shen, D. (2007). Internal contrast and double decoding: Transitivity in Hughes’s “On the Road”. Journal of Literary Semantics, (36), 53-70.
Shen, D. (2011). Neo-Aristotelian rhetorical narrative study: Need for integrating style, context and intertext. Style, 45(4), 576-597.
Stubbs, M. (2008). Conrad in the computer: Examples of quantitative stylistics methods. In Shen (Ed.), Recent development in western stylistics (pp. 440-465). Shanghai: Shanghai Foreign Language Education Press.
Turci, M. (2007). The meaning of ‘dark’ in Joseph Conrad’s Heart of Darkness. In D. R. Miller and M. Turci (Eds.), Language and verbal art revisited: Linguistic approaches to the study of literature (pp. 97-114). London: Equinox.
Wales, K. (2001). A dictionary of stylistics (2nd ed). Harlow, England: Longman.
Cohen-Shalev, A. (2009). Beyond reconciliation filial relationship as a lifelong development theme in Bergman’s films. Style V., 43(1), 86-108.
Halliday, M. A. K. (1971). Linguistic function and literary style: An inquiry into the language of William Goldings’s The Inheritors. Reprinted in J. Webster (Ed.), Linguistics studies of text and discourse. The collected works of M. A. K. Halliday (Vol. 2) (pp. 88-125). London: Continuum.
Halliday, M. A. K. (1978). Language as social semiotic: The social interpretation of language and meaning. London: Edward Arnold.
Halliday, M. A. K. (1985). An introduction to functional grammar. London: Edward Arnold.
Hasan, R. (1971/2011). Rime and reason in literature. Selected works of RUQAIYA HASAN on Applied Linguistics (pp. 363-397). Beijing: Foreign Language Teaching and Research Press.
Hasan, R. (1981/2011). What’s going on: A dynamic view of context. Selected works of RUQAIYA HASAN on applied linguistics (pp. 243-260). Beijing: Foreign Language Teaching and Research Press.
Hasan, R. (1985/2012). Linguistics, language and verbal art. Beijing: The World Publishing Company.
Hasan, R. (2007). Private pleasure, public discourse: Reflections on engaging with literature. In D. R. Miller & M. Turci (Eds.), Language and verbal art revisited: Linguistic approaches to the study of literature (pp. 13-40). London: Equinox.
Hasan, R. (2011). Rime and reason in literature. Selected works of RUQAIYA HASAN on applied linguistics (pp. 363-397). Beijing:Foreign Language Teaching and Research Press.
Leech, G. (1966/2011). Linguistics and the figures of rhetoric. Selected works of Geoffrey leech on applied linguistics (pp. 3-22). Beijing: Foreign Language Teaching and Research Press.
Leech, G., & Short, M. (1981). Style in fiction: A linguistic introduction to English fictional prose. London: Longman.
Liao, Q. Y. (1999). The application of systemic functional grammar in stylistic analysis. Foreign Languages and Their Teaching, (8), 14-17.
Liu, S. S., & Song, C. F. (2015). New developments in functional stylistics. Modern Foreign Languages, 38(2), 278-286.
Martin, J. R. (2010). Tenderness: Realisation and instantiation in a Botswanan town. In Z. H. Wang (Ed.), SFL Theory Vol. 1: Collective works of J R Martin (pp. 7-23). Shanghai: Shanghai Jiao Tong University Press.
Miller, D. R., & Turci, M. (Eds.). (2007). Language and verbal art revisited: Linguistic approaches to the study of literature. London: Equinox.
Mukarovsky, J. (1964). Standard language and poetic language. In Paul L. Garvin (Ed. and Trans.), A prague school reader on esthetics, literary structure, and style (pp. 17-30). Washington, D.C.: Georgetown University Press.
Poynton, C. M. (1990). Address and the semiotics of social relations: A systemic-functional account of address forms and practices in Australian English (Ph.D. Thesis, Sydney: University of Sydney).
Ren S. Z. (2000). The Meaning of language pattern: An approach to study story theme. Foreign Language Teaching and Research, (2), 110-116.
Ren, S. Z. (2003). Multi-level semantic structure in narrative. Foreign Language Research, (1), 1-12.
Shen, D. (2007). Internal contrast and double decoding: Transitivity in Hughes’s “On the Road”. Journal of Literary Semantics, (36), 53-70.
Shen, D. (2011). Neo-Aristotelian rhetorical narrative study: Need for integrating style, context and intertext. Style, 45(4), 576-597.
Stubbs, M. (2008). Conrad in the computer: Examples of quantitative stylistics methods. In Shen (Ed.), Recent development in western stylistics (pp. 440-465). Shanghai: Shanghai Foreign Language Education Press.
Turci, M. (2007). The meaning of ‘dark’ in Joseph Conrad’s Heart of Darkness. In D. R. Miller and M. Turci (Eds.), Language and verbal art revisited: Linguistic approaches to the study of literature (pp. 97-114). London: Equinox.
Wales, K. (2001). A dictionary of stylistics (2nd ed). Harlow, England: Longman.