Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

South China Business College, Guangdong University of Foreign Studies, Guangdong, China

ABSTRACT

Arthur Miller is universally recognized as one of the greatest dramatists of the 20th century in the United States, together with the conscience of American drama. Nevertheless, his works have always been considered as having misogynic inclinations. This paper, on the basis of gender theories, seeks to undertake an interpretation to the elements of masculinity and femininity regarding female characters in Arthur Miller’s dramas. Taking The Crucible and A Memory of Two Mondays as a case in point, the author seeks to identify and discuss three categories of female characters, comprising “the angel in the house”, the figure of Medea, and the silenced and absent females, in order to deconstruct Miller’s dichotomized outlook on females.

KEYWORDS

Arthur Miller, The Crucible, A Memory of Two Mondays, masculinity, femininity

Cite this paper

References
Bernstein, J. M. (1992). The fate of art: Aesthetic alienation from Kant to Derrida and Adorno (5). Cambridge: Polity Press. 
Butler, J. (1990). Gender trouble: Feminism and the subversion of identity (35). New York: Routledge. 
Carson, N. (1982). Arthur Miller (154). London: Macmillan.
Connell, W. (1987). Gender and power: Society, the person and sexual politics (71). Cambridge: Policy. 
De Beauvoir, S. (1989). The second sex (698). UK: Vintage. 
Foucault, M. (1978). The History of Sexuality, Volume I: An Introduction (100). New York: Vintage. 
Irigaray, L. (1977). Women’s exile. Ideology and Consciousness, 1, 65. 
Kristeva, J. (1980). Desire in language (45). NY: Columbia University Press. 
Miller, A. (2006). Collected plays (393). New York: Literary Classics of the United States, Inc. 
Mottram, E. (1969). Arthur Miller: Development of a political dramatist in America. Arthur Miller: A collection of critical essays (23-57). Englewood Cliffs: Prentice House. 
Mason, J. (1989). Paper Dolls: Melodrama and sexual politics in Arthur Miller’s early plays. Feminist re-readings of modern American Drama (103-115). Rutherford, NJ: Fairleigh Dickinson UP. 
Schippers, M. (2002). Rockin’ out of the box: Gender maneuvering in alternative hard rock (46). New Brunswick, NJ: Rutgers University Press. 
Schissel, W. (1994). Re(dis)covering the witches in Arthur Miller’s The Crucible: A feminist reading. Modern Drama, 37, 461-473.
Woolf, V. (2011). The Essays of Virginia Woolf: 1933-1941, 6, 126. Ed. Stuart N. Clarke. London: Hogarth.


About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 1-323-984-7526; Email: [email protected]